poems
“Specter: Survivor” & “Specter: Supplication” & “Altitude Sick” * Action, Spectacle (1, Spring 2019)
“Jewel Box Stars” * Pleiades (39.1, Winter 2019)
“A Symbol Pronounced Star” * Boxcar Poetry Review (39, March 2018)
“Dark Matter Coda” * Barrow Street (Winter 2017/2018)
“Asterisk” * Painted Bride Quarterly (96 & Print Annual 9, 2017/2018)
“Nacreous” * Juked (December 2017)
“An Agenda Even When They Don’t Have A Body” * Sugar House Review (15, Spring/Summer 2017)
“Pith” (with audio) * decomP (May/June 2017)
“Atlantis” (with audio & essay) * Glass: A Journal of Poetry (June 2017)
“Haunted Ghazal” * Rust + Moth (Summer 2017)
“Gravitational Seduction” * Sidereal Magazine (1, May 2017)
“Resurrection Ship” * Prelude (April 2017)
“What Instruments to Measure” (with audio) * The Adroit Journal (20, March 2017)
“Lunar Real Estate” * Forklift, Ohio (34, Winter 2017) * reprinted online poems2go (May 2017)
“ghosts of me” * Gulf Coast (29.1, Winter/Spring 2017)
“Rift Valley Threnody” (Pushcart Prize nominee) * Whiskey Island Magazine (68, 2016)
“Trash Gyre Wedding” * Denver Quarterly (51.1, Fall 2016)
“Win a Burial at Sea” (Best of the Net nominee) * Queen Mob’s Tea House (July 2016)
“Nightfall” & “Farewell Megafauna” * Vinyl Poetry (July 2016)
“Margin/Mitosis” (with audio) * Split Rock Review (6, Spring 2016)
“Goatsuckers” * Jai-Alai Magazine (2, Spring 2016)
“Cementerio General” * The Columbia Review (Spring 2016)
“Cetology” * Berkeley Poetry Review (46, Spring/Summer 2016)
“My Grandfather Was A Cherokee Princess And Other Lies” * poems2go (Summer 2015)
“33174” * ZipOdes (April 2015)
“Broken Spanish” & “Muro de la Memoria” * Hinchas de Poesía (15, April 2015)
“Palabra” * The Midwest Quarterly (Spring 2014)
“Recipe for Stargazing in Concord” * Fieldstone Review (6, 2013)
“Refused” * Portland Review (59.1, Winter 2013)
“Incantation” * Shadow Road Quarterly (3, Winter 2012)
“-scaping” * Penumbra Magazine (1, Fall/Winter 2012)
“Rocktime” & “New Zealand squid thaw put on ice” * Constellations (2, Fall 2012)
“l’esprit d’escalier” * Barely South Review (April 2012)
“The Brain No More Sacred” * A Bad Penny Review (Winter 2012)
“Suspension” * Damselfly Press (14, January 2011)
“August” * Cream City Review (34.1, Spring/Summer 2010)
“Stairway Poem 2” & “Skimming” * Eudaimonia Poetry Review (Summer 2010)
“Muse” & “Clavicle” & “Sastrugi” * Driftwood Review (6, February 2010)
“Becalmed” * Innisfree Poetry Journal (10, Spring 2010)
“ask as soft” * Stirring (10.5, May 2008)
“Cave” * Grain (35.2, Winter 2007/2008)
“Pregnant in the Everglades” * Saw Palm (2, Winter 2007/2008)
“love, occasional” & “Contact” * Prick of the Spindle (1.2, September 2007)
anthologies
“Museo Nacional de Bellas Artes” * Queen Mob’s Tea House: Teh Book (2019)
“Boston Triptych” * City of Notions: An Anthology of Contemporary Boston Poems (2017)
articles
Breath and Matter Exhibit Part 2 * Mass Poetry (August 2018)
Breath and Matter Exhibit Part 1 * Mass Poetry (July 2018)
Sonic Intoxication: Ross Gay * Mass Poetry (April 2017)
Interview with Rigoberto González * Mass Poetry (March 2017)
Researching Poetry Publishers * Mass Poetry (December 2016)
From Ballrooms to Book Arranging * Mass Poetry (November 2016)
book reviews
My Tarantella by Jennifer Martelli * Lily Poetry Review (1.1, Winter 2019)
two books by Dalton Day * Queen Mob’s Tea House (28 September 2017)
I BE BUT I AIN’T by Aziza Barnes (YesYes Books) * The Rumpus (9 December 2016)
interviews
SAC Artist of the Month interview * Somerville Arts Council (February 2022)
10+ Questions! and a poem with heather hughes * Mass Poetry (June 2016)
Interview Part 1 – Part 2 – Part 3 * The Odyssey (July-August 2016)
birdmaddgirl 